Showing posts with label Chapter 21. Show all posts
Showing posts with label Chapter 21. Show all posts

Saturday, August 20, 2011

Chapter 21: Manila Types

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That night there was a grand function at the Teatro de Variedades. Mr. Jouay’s French operetta company was giving its initial performance, Les Cloches de Corneville. To the eyes of the public was to be exhibited his select troupe, whose fame the newspapers had for days been proclaiming. It was reported that among the actresses was a very beautiful voice, with a figure even more beautiful, and if credit could be given to rumor, her amiability surpassed even her voice and figure.
At half-past seven in the evening there were no more tickets to be had, not even though they had been for Padre Salvi himself in his direct need, and the persons waiting to enter the general admission already formed a long queue. In the ticket-office there were scuffles and fights, talk of filibusterism and races, but this did not produce any tickets, so that by a quarter before eight fabulous prices were being offered for them. The appearance of the building, profusely illuminated, with flowers and plants in all the doors and windows, enchanted the new arrivals to such an extent that they burst out into exclamations and applause. A large crowd surged about the entrance, gazing enviously at those going in, those who came early from fear of missing their seats. Laughter, whispering, expectation greeted the later arrivals, who disconsolately joined the curious crowd, and now that they could not get in contented themselves with watching those who did.
Yet there was one person who seemed out of place amid such great eagerness and curiosity. He was a tall, meager man, who dragged one leg stiffly when he walked, dressed in a wretched brown coat and dirty checkered trousers that fitted his lean, bony limbs tightly. A straw sombrero, artistic in spite of being broken, covered an enormous head and allowed his dirty gray, almost red, hair to straggle out long and kinky at the end like a poet’s curls. But the most notable thing about this man was not his clothing or his European features, guiltless of beard or mustache, but his fiery red face, from which he got the nickname by which he was known, Camaroncocido. He was a curious character belonging to a prominent Spanish family, but he lived like a vagabond and a beggar, scoffing at the prestige which he flouted indifferently with his rags. He was reputed to be a kind of reporter, and in fact his gray goggle-eyes, so cold and thoughtful, always showed up where anything publishable was happening. His manner of living was a mystery to all, as no one seemed to know where he ate and slept. Perhaps he had an empty hogshead somewhere.
But at that moment Camaroncocido lacked his usual hard and indifferent expression, something like mirthful pity being reflected in his looks. A funny little man accosted him merrily.
“Friend!” exclaimed the latter, in a raucous voice, as hoarse as a frog’s, while he displayed several Mexican pesos, which Camaroncocido merely glanced at and then shrugged his shoulders. What did they matter to him?
The little old man was a fitting contrast to him. Small, very small, he wore on his head a high hat, which presented the appearance of a huge hairy worm, and lost himself in an enormous frock coat, too wide and too long for him, to reappear in trousers too short, not reaching below his calves. His body seemed to be the grandfather and his legs the grandchildren, while as for his shoes he appeared to be floating on the land, for they were of an enormous sailor type, apparently protesting against the hairy worm worn on his head with all the energy of a convento beside a World’s Exposition. If Camaroncocido was red, he was brown; while the former, although of Spanish extraction, had not a single hair on his face, yet he, an Indian, had a goatee and mustache, both long, white, and sparse. His expression was lively. He was known as Tio Quico, and like his friend lived on publicity, advertising the shows and posting the theatrical announcements, being perhaps the only Filipino who could appear with impunity in a silk hat and frock coat, just as his friend was the first Spaniard who laughed at the prestige of his race.
“The Frenchman has paid me well,” he said smiling and showing his picturesque gums, which looked like a street after a conflagration. “I did a good job in posting the bills.”
Camaroncocido shrugged his shoulders again. “Quico,” he rejoined in a cavernous voice, “if they’ve given you six pesos for your work, how much will they give the friars?”
Tio Quico threw back his head in his usual lively manner. “To the friars?”
“Because you surely know,” continued Camaroncocido, “that all this crowd was secured for them by the conventos.”
The fact was that the friars, headed by Padre Salvi, and some lay brethren captained by Don Custodio, had opposed such shows. Padre Camorra, who could not attend, watered at the eyes and mouth, but argued with Ben-Zayb, who defended them feebly, thinking of the free tickets they would send his newspaper. Don Custodio spoke of morality, religion, good manners, and the like.
“But,” stammered the writer, “if our own farces with their plays on words and phrases of double meaning—”
“But at least they’re in Castilian!” the virtuous councilor interrupted with a roar, inflamed to righteous wrath. “Obscenities in French, man, Ben-Zayb, for God’s sake, in French! Never!”  
He uttered this never with the energy of three Guzmans threatened with being killed like fleas if they did not surrender twenty Tarifas. Padre Irene naturally agreed with Don Custodio and execrated French operetta. Whew, he had been in Paris, but had never set foot in a theater, the Lord deliver him!
Yet the French operetta also counted numerous partizans. The officers of the army and navy, among them the General’s aides, the clerks, and many society people were anxious to enjoy the delicacies of the French language from the mouths of genuine Parisiennes, and with them were affiliated those who had traveled by the M.M. and had jabbered a little French during the voyage, those who had visited Paris, and all those who wished to appear learned.
Hence, Manila society was divided into two factions, operettists and anti-operettists. The latter were supported by the elderly ladies, wives jealous and careful of their husbands’ love, and by those who were engaged, while those who were free and those who were beautiful declared themselves enthusiastic operettists. Notes and then more notes were exchanged, there were goings and comings, mutual recriminations, meetings, lobbyings, arguments, even talk of an insurrection of the natives, of their indolence, of inferior and superior races, of prestige and other humbugs, so that after much gossip and more recrimination, the permit was granted, Padre Salvi at the same time publishing a pastoral that was read by no one but the proof-reader. There were questionings whether the General had quarreled with the Countess, whether she spent her time in the halls of pleasure, whether His Excellency was greatly annoyed, whether there had been presents exchanged, whether the French consul—, and so on and on. Many names were bandied about: Quiroga the Chinaman’s, Simoun’s, and even those of many actresses.
Thanks to these scandalous preliminaries, the people’s impatience had been aroused, and since the evening before, when the troupe arrived, there was talk of nothing but attending the first performance. From the hour when the red posters announced Les Cloches de Corneville the victors prepared to celebrate their triumph. In some offices, instead of the time being spent in reading newspapers and gossiping, it was devoted to devouring the synopsis and spelling out French novels, while many feigned business outside to consult their pocket-dictionaries on the sly. So no business was transacted, callers were told to come back the next day, but the public could not take offense, for they encountered some very polite and affable clerks, who received and dismissed them with grand salutations in the French style. The clerks were practising, brushing the dust off their French, and calling to one another oui, monsieur, s’il vous plait, and pardon! at every turn, so that it was a pleasure to see and hear them.
But the place where the excitement reached its climax was the newspaper office. Ben-Zayb, having been appointed critic and translator of the synopsis, trembled like a poor woman accused of witchcraft, as he saw his enemies picking out his blunders and throwing up to his face his deficient knowledge of French. When the Italian opera was on, he had very nearly received a challenge for having mistranslated a tenor’s name, while an envious rival had immediately published an article referring to him as an ignoramus—him, the foremost thinking head in the Philippines! All the trouble he had had to defend himself! He had had to write at least seventeen articles and consult fifteen dictionaries, so with these salutary recollections, the wretched Ben-Zayb moved about with leaden hands, to say nothing of his feet, for that would be plagiarizing Padre Camorra, who had once intimated that the journalist wrote with them.
“You see, Quico?” said Camaroncocido. “One half of the people have come because the friars told them not to, making it a kind of public protest, and the other half because they say to themselves, ‘Do the friars object to it? Then it must be instructive!’ Believe me, Quico, your advertisements are a good thing but the pastoral was better, even taking into consideration the fact that it was read by no one.”
“Friend, do you believe,” asked Tio Quico uneasily, “that on account of the competition with Padre Salvi my business will in the future be prohibited?”
“Maybe so, Quico, maybe so,” replied the other, gazing at the sky. “Money’s getting scarce.”
Tio Quico muttered some incoherent words: if the friars were going to turn theatrical advertisers, he would become a friar. After bidding his friend good-by, he moved away coughing and rattling his silver coins.
With his eternal indifference Camaroncocido continued to wander about here and there with his crippled leg and sleepy looks. The arrival of unfamiliar faces caught his attention, coming as they did from different parts and signaling to one another with a wink or a cough. It was the first time that he had ever seen these individuals on such an occasion, he who knew all the faces and features in the city. Men with dark faces, humped shoulders, uneasy and uncertain movements, poorly disguised, as though they had for the first time put on sack coats, slipped about among the shadows, shunning attention, instead of getting in the front rows where they could see well.
“Detectives or thieves?” Camaroncocido asked himself and immediately shrugged his shoulders. “But what is it to me?”
The lamp of a carriage that drove up lighted in passing a group of four or five of these individuals talking with a man who appeared to be an army officer.
“Detectives! It must be a new corps,” he muttered with his shrug of indifference. Soon, however, he noticed that the officer, after speaking to two or three more groups, approached a carriage and seemed to be talking vigorously with some person inside. Camaroncocido took a few steps forward and without surprise thought that he recognized the jeweler Simoun, while his sharp ears caught this short dialogue.
“The signal will be a gunshot!”
“Yes, sir.”
“Don’t worry—it’s the General who is ordering it, but be careful about saying so. If you follow my instructions, you’ll get a promotion.”
“Yes, sir.”
“So, be ready!”
The voice ceased and a second later the carriage drove away. In spite of his indifference Camaroncocido could not but mutter, “Something’s afoot—hands on pockets!”
But feeling his own to be empty, he again shrugged his shoulders. What did it matter to him, even though the heavens should fall?
So he continued his pacing about. On passing near two persons engaged in conversation, he caught what one of them, who had rosaries and scapularies around his neck, was saying in Tagalog: “The friars are more powerful than the General, don’t be a fool! He’ll go away and they’ll stay here. So, if we do well, we’ll get rich. The signal is a gunshot.”
“Hold hard, hold hard,” murmured Camaroncocido, tightening his fingers. “On that side the General, on this Padre Salvi. Poor country! But what is it to me?”
Again shrugging his shoulders and expectorating at the same time, two actions that with him were indications of supreme indifference, he continued his observations.
Meanwhile, the carriages were arriving in dizzy streams, stopping directly before the door to set down the members of the select society. Although the weather was scarcely even cool, the ladies sported magnificent shawls, silk neckerchiefs, and even light cloaks. Among the escorts, some who were in frock coats with white ties wore overcoats, while others carried them on their arms to display the rich silk linings.
In a group of spectators, Tadeo, he who was always taken ill the moment the professor appeared, was accompanied by a fellow townsman of his, the novice whom we saw suffer evil consequences from reading wrongly the Cartesian principle. This novice was very inquisitive and addicted to tiresome questions, and Tadeo was taking advantage of his ingenuousness and inexperience to relate to him the most stupendous lies. Every Spaniard that spoke to him, whether clerkling or underling, was presented as a leading merchant, a marquis, or a count, while on the other hand any one who passed him by was a greenhorn, a petty official, a nobody! When pedestrians failed him in keeping up the novice’s astonishment, he resorted to the resplendent carriages that came up. Tadeo would bow politely, wave his hand in a friendly manner, and call out a familiar greeting.
“Who’s he?”
“Bah!” was the negligent reply. “The Civil Governor, the Vice-Governor, Judge ——, Señora ——, all friends of mine!”
The novice marveled and listened in fascination, taking care to keep on the left. Tadeo the friend of judges and governors!
Tadeo named all the persons who arrived, when he did not know them inventing titles, biographies, and interesting sketches.
“You see that tall gentleman with dark whiskers, somewhat squint-eyed, dressed in black—he’s Judge A ——, an intimate friend of the wife of Colonel B ——. One day if it hadn’t been for me they would have come to blows. Hello, here comes that Colonel! What if they should fight?”
The novice held his breath, but the colonel and the judge shook hands cordially, the soldier, an old bachelor, inquiring about the health of the judge’s family.
“Ah, thank heaven!” breathed Tadeo. “I’m the one who made them friends.” [205]
“What if they should invite us to go in?” asked the novice timidly.
“Get out, boy! I never accept favors!” retorted Tadeo majestically. “I confer them, but disinterestedly.”
The novice bit his lip and felt smaller than ever, while he placed a respectful distance between himself and his fellow townsman.
Tadeo resumed: “That is the musician H——; that one, the lawyer J——, who delivered as his own a speech printed in all the books and was congratulated and admired for it; Doctor K——, that man just getting out of a hansom, is a specialist in diseases of children, so he’s called Herod; that’s the banker L——, who can talk only of his money and his hoards; the poet M——, who is always dealing with the stars and the beyond. There goes the beautiful wife of N——, whom Padre Q——is accustomed to meet when he calls upon the absent husband; the Jewish merchant P——, who came to the islands with a thousand pesos and is now a millionaire. That fellow with the long beard is the physician R——, who has become rich by making invalids more than by curing them.”
“Making invalids?”
“Yes, boy, in the examination of the conscripts. Attention! That finely dressed gentleman is not a physician but a homeopathist sui generis—he professes completely the similis similibus. The young cavalry captain with him is his chosen disciple. That man in a light suit with his hat tilted back is the government clerk whose maxim is never to be polite and who rages like a demon when he sees a hat on any one else’s head—they say that he does it to ruin the German hatters. The man just arriving with his family is the wealthy merchant C——, who has an income of over a hundred thousand pesos. But what would you say if I should tell you that he still owes me four pesos, five reales, and twelve cuartos? But who would collect from a rich man like him?”
“That gentleman in debt to you?”
“Sure! One day I got him out of a bad fix. It was on a Friday at half-past six in the morning, I still remember, because I hadn’t breakfasted. That lady who is followed by a duenna is the celebrated Pepay, the dancing girl, but she doesn’t dance any more now that a very Catholic gentleman and a great friend of mine has—forbidden it. There’s the death’s-head Z——, who’s surely following her to get her to dance again. He’s a good fellow, and a great friend of mine, but has one defect—he’s a Chinese mestizo and yet calls himself a Peninsular Spaniard. Sssh! Look at Ben-Zayb, him with the face of a friar, who’s carrying a pencil and a roll of paper in his hand. He’s the great writer, Ben-Zayb, a good friend of mine—he has talent!”
“You don’t say! And that little man with white whiskers?”
“He’s the official who has appointed his daughters, those three little girls, assistants in his department, so as to get their names on the pay-roll. He’s a clever man, very clever! When he makes a mistake he blames it on somebody else, he buys things and pays for them out of the treasury. He’s clever, very, very clever!”
Tadeo was about to say more, but suddenly checked himself.
“And that gentleman who has a fierce air and gazes at everybody over his shoulders?” inquired the novice, pointing to a man who nodded haughtily.
But Tadeo did not answer. He was craning his neck to see Paulita Gomez, who was approaching with a friend, Doña Victorina, and Juanito Pelaez. The latter had presented her with a box and was more humped than ever.
Carriage after carriage drove up; the actors and actresses arrived and entered by a separate door, followed by their friends and admirers.
After Paulita had gone in, Tadeo resumed: “Those are the nieces of the rich Captain D——, those coming up in a landau; you see how pretty and healthy they are? Well, in a few years they’ll be dead or crazy. Captain D—— is opposed to their marrying, and the insanity of the uncle is appearing in the nieces. That’s the Señorita E——, the rich heiress whom the world and the conventos are disputing over. Hello, I know that fellow! It’s Padre Irene, in disguise, with a false mustache. I recognize him by his nose. And he was so greatly opposed to this!”
The scandalized novice watched a neatly cut coat disappear behind a group of ladies.
“The Three Fates!” went on Tadeo, watching the arrival of three withered, bony, hollow-eyed, wide-mouthed, and shabbily dressed women. “They’re called—”
“Atropos?” ventured the novice, who wished to show that he also knew somebody, at least in mythology.
“No, boy, they’re called the Weary Waiters—old, censorious, and dull. They pretend to hate everybody—men, women, and children. But look how the Lord always places beside the evil a remedy, only that sometimes it comes late. There behind the Fates, the frights of the city, come those three girls, the pride of their friends, among whom I count myself. That thin young man with goggle-eyes, somewhat stooped, who is wildly gesticulating because he can’t get tickets, is the chemist S——, author of many essays and scientific treatises, some of which are notable and have captured prizes. The Spaniards say of him, ‘There’s some hope for him, some hope for him.’ The fellow who is soothing him with his Voltairian smile is the poet T——, a young man of talent, a great friend of mine, and, for the very reason that he has talent, he has thrown away his pen. That fellow who is trying to get in with the actors by the other door is the young physician U——, who has effected some remarkable cures—it’s also said of him that he promises well. He’s not such a scoundrel as Pelaez but he’s cleverer and slyer still. I believe that he’d shake dice with death and win.”
“And that brown gentleman with a mustache like hog-bristles?”
“Ah, that’s the merchant F——, who forges everything, even his baptismal certificate. He wants to be a Spanish mestizo at any cost, and is making heroic efforts to forget his native language.”
“But his daughters are very white.”
“Yes, that’s the reason rice has gone up in price, and yet they eat nothing but bread.”
The novice did not understand the connection between the price of rice and the whiteness of those girls, but he held his peace.
“There goes the fellow that’s engaged to one of them, that thin brown youth who is following them with a lingering movement and speaking with a protecting air to the three friends who are laughing at him. He’s a martyr to his beliefs, to his consistency.”
The novice was filled with admiration and respect for the young man.
“He has the look of a fool, and he is one,” continued Tadeo. “He was born in San Pedro Makati and has inflicted many privations upon himself. He scarcely ever bathes or eats pork, because, according to him, the Spaniards don’t do those things, and for the same reason he doesn’t eat rice and dried fish, although he may be watering at the mouth and dying of hunger. Anything that comes from Europe, rotten or preserved, he considers divine—a month ago Basilio cured him of a severe attack of gastritis, for he had eaten a jar of mustard to prove that he’s a European.”
At that moment the orchestra struck up a waltz.
“You see that gentleman—that hypochondriac who goes along turning his head from side to side, seeking salutes? That’s the celebrated governor of Pangasinan, a good man who loses his appetite whenever any Indian fails to salute him. He would have died if he hadn’t issued the proclamation about salutes to which he owes his celebrity. Poor fellow, it’s only been three days since he came from the province and look how thin he has become! Oh, here’s the great man, the illustrious—open your eyes!” [209]
“Who? That man with knitted brows?”
“Yes, that’s Don Custodio, the liberal, Don Custodio. His brows are knit because he’s meditating over some important project. If the ideas he has in his head were carried out, this would be a different world! Ah, here comes Makaraig, your housemate.”
It was in fact Makaraig, with Pecson, Sandoval, and Isagani. Upon seeing them, Tadeo advanced and spoke to them.
“Aren’t you coming in?” Makaraig asked him.
“We haven’t been able to get tickets.”
“Fortunately, we have a box,” replied Makaraig. “Basilio couldn’t come. Both of you, come in with us.”
Tadeo did not wait for the invitation to be repeated, but the novice, fearing that he would intrude, with the timidity natural to the provincial Indian, excused himself, nor could he be persuaded to enter.

Friday, August 19, 2011

El Filibusterismo: Summary and Analysis of Chapter 21 (Manila Types)

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Summary:
People all over Manila gather at the theater to watch Les Cloches de Corneville, a French performance.  Only one person, of Spanish blood, seems to have no interest in going inside the theater.  His name is Camarroncocido.  He comes from a prominent Spanish family, however is dressed rather poorly like a peasant and keeps wandering in the streets. He occupies himself by putting up posters of upcoming shows in the theater.  As he approaches the Teatro de Variadades, he spots suspicious-looking men and finds out that Simoun is ordering them to go through measures to put a stop to a civil unrest.

Points of Note:
Camarroncocido is a name that means “scalded shrimp” because his skin is rosy red.  He is a Spaniard who does not give much importance to his Spanish roots.  Although he is considered to be “blue-blooded” given that he comes from an elite Spanish line, he ends up doing menial tasks the moment he enters Philippine territory.  Camarroncocido is an exact opposite of Don Custodio who, despite being a common man in Spain, came to the Philippines to take advantage of his roots and use it to gain power.

Frequently Asked Questions:
Question: What undesirable trait does Rizal portray in the character of Camarroncocido?
Answer: Rizal gives light to the common social illness of people who refuse to care about events that have no direct consequence to them personally, even though these events might cause civil unrest or might be detrimental to a number of other citizens.

Question: How is the society of Manila divided into two?
Answer: Because of the adamant objection of the Spanish friars to the play, and the unanimous support to it by the government officials, the people of Manila began to wonder.  Almost everyone wanted to see it: First, there were those who wanted to watch the presentation just to see what made the friars ban people from it; and second, those who wanted to see it so they could find out if it really was worth banning.  If the friars hadn’t forbidden the people to watch it, the audience would not have reached such an incredible number.

Question: Who were the men that Camarroncocido spotted in the dark?
Answer: They were Simoun’s men.

Question: How did Tadeo get admission to the theater?
Answer: Basilio did not go with Macaraeg because he wanted to study for his exams.  Isagani gave Basilio’s ticket to Tadeo instead.

Wednesday, April 13, 2011

Chapter 21: The Story of a Mother

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Andaba incierto—volaba errante,
Un solo instante—sin descansar.1
ALAEJOS.
Sisa ran in the direction of her home with her thoughts in that confused whirl which is produced in our being when, in the midst of misfortunes, protection and hope alike are gone. It is then that everything seems to grow dark around us, and, if we do see some faint light shining from afar, we run toward it, we follow it, even though an abyss yawns in our path. The mother wanted to save her sons, and mothers do not ask about means when their children are concerned. Precipitately she ran, pursued by fear and dark forebodings. Had they already arrested her son Basilio? Whither had her boy Crispin fled?
As she approached her little hut she made out above the garden fence the caps of two soldiers. It would be impossible to tell what her heart felt: she forgot everything. She was not ignorant of the boldness of those men, who did not lower their gaze before even the richest people of the town. What would they do now to her and to her sons, accused of theft! The civil-guards are not men, they are civil-guards; they do not listen to supplications and they are accustomed to see tears.
Sisa instinctively raised her eyes toward the sky, that sky which smiled with brilliance indescribable, and in whose transparent blue floated some little fleecy clouds. She stopped to control the trembling that had seized her whole body. The soldiers were leaving the house and were alone, as they had arrested nothing more than the hen which Sisa had been fattening. She breathed more freely and took heart again. “How good they are and what kind hearts they have!” she murmured, almost weeping with joy. Had the soldiers burned her house but left her sons at liberty she would have heaped blessings upon them! She again looked gratefully toward the sky through which a flock of herons, those light clouds in the skies of the Philippines, were cutting their path, and with restored confidence she continued on her way. As she approached those fearful men she threw her glances in every direction as if unconcerned and pretended not to see her hen, which was cackling for help. Scarcely had she passed them when she wanted to run, but prudence restrained her steps.
She had not gone far when she heard herself called by an imperious voice. Shuddering, she pretended not to hear, and continued on her way. They called her again, this time with a yell and an insulting epithet. She turned toward them, pale and trembling in spite of herself. One of them beckoned to her. Mechanically Sisa approached them, her tongue paralyzed with fear and her throat parched.
“Tell us the truth or we’ll tie you to that tree and shoot you,” said one of them in a threatening tone.
The woman stared at the tree.
“You’re the mother of the thieves, aren’t you?” asked the other.
“Mother of the thieves!” repeated Sisa mechanically.
“Where’s the money your sons brought you last night?”
“Ah! The money—”
“Don’t deny it or it’ll be the worse for you,” added the other. “We’ve come to arrest your sons, and the older has escaped from us. Where have you hidden the younger?”
Upon hearing this Sisa breathed more freely and answered, “Sir, it has been many days since I’ve seen Crispin. I expected to see him this morning at the convento, but there they only told me—”
The two soldiers exchanged significant glances. “All right!” exclaimed one of them. “Give us the money and we’ll leave you alone.”
“Sir,” begged the unfortunate woman, “my sons wouldn’t steal even though they were starving, for we are used to that kind of suffering. Basilio didn’t bring me a single cuarto. Search the whole house and if you find even a real, do with us what you will. Not all of us poor folks are thieves!”
“Well then,” ordered the soldier slowly, as he fixed his gaze on Sisa’s eyes, “come with us. Your sons will show up and try to get rid of the money they stole. Come on!”
“I—go with you?” murmured the woman, as she stepped backward and gazed fearfully at their uniforms. “And why not?”
“Oh, have pity on me!” she begged, almost on her knees. “I’m very poor, so I’ve neither gold nor jewels to offer you. The only thing I had you’ve already taken, and that is the hen which I was thinking of selling. Take everything that you find in the house, but leave me here in peace, leave me here to die!”
“Go ahead! You’re got to go, and if you don’t move along willingly, we’ll tie you.”
Sisa broke out into bitter weeping, but those men were inflexible. “At least, let me go ahead of you some distance,” she begged, when she felt them take hold of her brutally and push her along.
The soldiers seemed to be somewhat affected and, after whispering apart, one of them said: “All right, since from here until we get into the town, you might be able to escape, you’ll walk between us. Once there you may walk ahead twenty paces, but take care that you don’t delay and that you don’t go into any shop, and don’t stop. Go ahead, quickly!”
Vain were her supplications and arguments, useless her promises. The soldiers said that they had already compromised themselves by having conceded too much. Upon finding herself between them she felt as if she would die of shame. No one indeed was coming along the road, but how about the air and the light of day? True shame encounters eyes everywhere. She covered her face with her pañuelo and walked along blindly, weeping in silence at her disgrace. She had felt misery and knew what it was to be abandoned by every one, even her own husband, but until now she had considered herself honored and respected: up to this time she had looked with compassion on those boldly dressed women whom the town knew as the concubines of the soldiers. Now it seemed to her that she had fallen even a step lower than they in the social scale.
The sound of hoofs was heard, proceeding from a small train of men and women mounted on poor nags, each between two baskets hung over the back of his mount; it was a party carrying fish to the interior towns. Some of them on passing her hut had often asked for a drink of water and had presented her with some fishes. Now as they passed her they seemed to beat and trample upon her while their compassionate or disdainful looks penetrated through her pañuelo and stung her face. When these travelers had finally passed she sighed and raised the pañuelo an instant to see how far she still was from the town. There yet remained a few telegraph poles to be passed before reaching the bantayan, or little watch-house, at the entrance to the town. Never had that distance seemed so great to her.
Beside the road there grew a leafy bamboo thicket in whose shade she had rested at other times, and where her lover had talked so sweetly as he helped her carry her basket of fruit and vegetables. Alas, all that was past, like a dream! The lover had become her husband and a cabeza de barangay, and then trouble had commenced to knock at her door. As the sun was beginning to shine hotly, the soldiers asked her if she did not want to rest there. “Thanks, no!” was the horrified woman’s answer.
Real terror seized her when they neared the town. She threw her anguished gaze in all directions, but no refuge offered itself, only wide rice-fields, a small irrigating ditch, and some stunted trees; there was not a cliff or even a rock upon which she might dash herself to pieces! Now she regretted that she had come so far with the soldiers; she longed for the deep river that flowed by her hut, whose high and rock-strewn banks would have offered such a sweet death. But again the thought of her sons, especially of Crispin, of whose fate she was still ignorant, lightened the darkness of her night, and she was able to murmur resignedly, “Afterwards—afterwards—we’ll go and live in the depths of the forest.”
Drying her eyes and trying to look calm, she turned to her guards and said in a low voice, with an indefinable accent that was a complaint and a lament, a prayer and a reproach, sorrow condensed into sound, “Now we’re in the town.” Even the soldiers seemed touched as they answered her with a gesture. She struggled to affect a calm bearing while she went forward quickly.
At that moment the church bells began to peal out, announcing the end of the high mass. Sisa hurried her steps so as to avoid, if possible, meeting the people who were coming out, but in vain, for no means offered to escape encountering them. With a bitter smile she saluted two of her acquaintances, who merely turned inquiring glances upon her, so that to avoid further mortification she fixed her gaze on the ground, and yet, strange to say, she stumbled over the stones in the road! Upon seeing her, people paused for a moment and conversed among themselves as they gazed at her, all of which she saw and felt in spite of her downcast eyes.
She heard the shameless tones of a woman who asked from behind at the top of her voice, “Where did you catch her? And the money?” It was a woman without a tapis, or tunic, dressed in a green and yellow skirt and a camisa of blue gauze, easily recognizable from her costume as a querida of the soldiery. Sisa felt as if she had received a slap in the face, for that woman had exposed her before the crowd. She raised her eyes for a moment to get her fill of scorn and hate, but saw the people far, far away. Yet she felt the chill of their stares and heard their whispers as she moved over the ground almost without knowing that she touched it.
“Eh, this way!” a guard called to her. Like an automaton whose mechanism is breaking, she whirled about rapidly on her heels, then without seeing or thinking of anything ran to hide herself. She made out a door where a sentinel stood and tried to enter it, but a still more imperious voice called her aside. With wavering steps she sought the direction of that voice, then felt herself pushed along by the shoulders; she shut her eyes, took a couple of steps, and lacking further strength, let herself fall to the ground, first on her knees and then in a sitting posture. Dry and voiceless sobs shook her frame convulsively.
Now she was in the barracks among the soldiers, women, hogs, and chickens. Some of the men were sewing at their clothes while their thighs furnished pillows for their queridas, who were reclining on benches, smoking and gazing wearily at the ceiling. Other women were helping some of the men clean their ornaments and arms, humming doubtful songs the while.
“It seems that the chicks have escaped, for you’ve brought only the old hen!” commented one woman to the new arrivals,—whether alluding to Sisa or the still clucking hen is not certain.
“Yes, the hen is always worth more than the chicks,” Sisa herself answered when she observed that the soldiers were silent.
“Where’s the sergeant?” asked one of the guards in a disgusted tone. “Has report been made to the alferez yet?”
A general shrugging of shoulders was his answer, for no one was going to trouble himself inquiring about the fate of a poor woman.
There Sisa spent two hours in a state of semi-idiocy, huddled in a corner with her head hidden in her arms and her hair falling down in disorder. At noon the alferez was informed, and the first thing that he did was to discredit the curate’s accusation.
“Bah! Tricks of that rascally friar,” he commented, as he ordered that the woman be released and that no one should pay any attention to the matter. “If he wants to get back what he’s lost, let him ask St. Anthony or complain to the nuncio. Out with her!”
Consequently, Sisa was ejected from the barracks almost violently, as she did not try to move herself. Finding herself in the street, she instinctively started to hurry toward her house, with her head bared, her hair disheveled, and her gaze fixed on the distant horizon. The sun burned in its zenith with never a cloud to shade its flashing disk; the wind shook the leaves of the trees lightly along the dry road, while no bird dared stir from the shade of their branches.
At last Sisa reached her hut and entered it in silence, She walked all about it and ran in and out for a time. Then she hurried to old Tasio’s house and knocked at the door, but he was not at home. The unhappy woman then returned to her hut and began to call loudly for Basilio and Crispin, stopping every few minutes to listen attentively. Her voice came back in an echo, for the soft murmur of the water in the neighboring river and the rustling of the bamboo leaves were the only sounds that broke the stillness. She called again and again as she climbed the low cliffs, or went down into a gully, or descended to the river. Her eyes rolled about with a sinister expression, now flashing up with brilliant gleams, now becoming obscured like the sky on a stormy night; it might be said that the light of reason was flickering and about to be extinguished.
Again returning to her hut, she sat down on the mat where she had lain the night before. Raising her eyes, she saw a twisted remnant from Basilio’s camisa at the end of the bamboo post in the dinding, or wall, that overlooked the precipice. She seized and examined it in the sunlight. There were blood stains on it, but Sisa hardly saw them, for she went outside and continued to raise and lower it before her eyes to examine it in the burning sunlight. The light was failing and everything beginning to grow dark around her. She gazed wide-eyed and unblinkingly straight at the sun.
Still wandering about here and there, crying and wailing, she would have frightened any listener, for her voice now uttered rare notes such as are not often produced in the human throat. In a night of roaring tempest, when the whirling winds beat with invisible wings against the crowding shadows that ride upon it, if you should find yourself in a solitary and ruined building, you would hear moans and sighs which you might suppose to be the soughing of the wind as it beats on the high towers and moldering walls to fill you with terror and make you shudder in spite of yourself; as mournful as those unknown sounds of the dark night when the tempest roars were the accents of that mother. In this condition night came upon her. Perhaps Heaven had granted some hours of sleep while the invisible wing of an angel, brushing over her pallid countenance, might wipe out the sorrows from her memory; perhaps such suffering was too great for weak human endurance, and Providence had intervened with its sweet remedy, forgetfulness. However that may be, the next day Sisa wandered about smiling, singing, and talking with all the creatures of wood and field.

1 With uncertain pace, in wandering flight, for an instant only—without rest.